Mary Malloy’s - Museums in the Movies
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Mary Malloy’s - Museums in the Movies

1972: The Hot Rock

Robert Redford stars as one of a hapless gang of thieves who rob the Brooklyn Museum of a famous African diamond. There are too-brief references to the colonialism that has long underpinned the diamond business, but this is a comedy with Redford’s character, recently released from prison, convinced to participate in a caper he would rather avoid. Directed by Peter Yates; George Segal, Ron Leibman, and Paul Sand make up the rest of the criminal crew.

Stars: Robert Redford, George Segal, Ron Leibman

Synopsis by IMDB

John Dortmunder (Robert Redford), an inmate, goes through the exit process at a prison, including retrieving his old clothes, verifying his identity with a finger print, and retrieving his belongings. The warden offers him his rehabilitation speech but John says hes been successfully rehabilitated by the wardens program. The warden sarcastically implies, whatever prison he will wind up working for, that he will see John again.

As John walks away from the prison, a car follows him, with the driver calling his name. John runs. When the driver finally catches up to him, he identifies himself as his old pal. John punches him.

They drive into the city. The driver, Andrew Kelp (George Segal), hands John a beer and it turns out Kelp is married to Johns sister. Kelp asks how his time was and John interrupts saying hes not going to work a job with him. Kelp, feigning offense, starts to tell John about a job.

They are at a museum, with a crowd, studying a 10 by 5 by 5 display case holding The Sahara Stone. John doesnt think its do-able. Kelp recommends John meet The Doctor, the money man, before he makes a decision. Kelp tells John not to mention that he has been in prison so as not to undermine The Doctors confidence.

They meet The Doctor (Moses Gunn) at a park. The Doctor explains that he wants the Stone so that he may return it to his native country which has been fighting with a neighboring country over the ownership of the diamond for generations. The United Nations is deciding the Stones fate, but The Doctor would be more comfortable if his nation was in possession of it should the UN make a bad decision.

The Doctor says its a four-man job and is offering a payment of $25,000 per man. Kelp and John negotiate with The Doctor to cover expenses during their planning process. The Doctor refuses; John leaves. Kelp tells The Doctor that John is just out of prison and has no means of support. The Doctor gives in. John comes back and The Doctor offers him $75 a week. John leaves again. Kelp says he can convince John to do it if he is offered $150. The Doctor agrees.

Kelp catches up to John and John lists the arguments against doing the job : that The Doctor is not experienced in a job; that the position of the stone within the museum (30 steps from the nearest exit); that the case is shatter- and bullet-proof, made with glass embedded with metal; and that there is no alarm system meaning the guards will be extra vigilant. However, John thinks the guards can be occupied with a well-planned diversion, and the locks seem easy to pick. He agrees to do the job.

They stop by Kelps locksmith shop and then go to his apartment. Johns sister greets him warmly. John says he doesnt want to work with Kelp because if they get caught, no one will be around to look after her.

A woman pulls up to a garage where her son, Stan Murch (Ron Leibman), proudly announces hes purchased a soundtrack album of the Daytona 500. He plays it for her to cheer her. They listen happily. The garage phone rings. Its Kelp.

John goes to a bar and the bartender directs him to the back room. Stan is there and immediately goes into a description of the route he took to get to the bar, which explains why he got there early. Alan Greenberg (Paul Sand) arrives. Kelp arrives.

Stan asks why they dont just keep collecting the $150 per week. John says there is a time limit on The Doctors patience. Greenberg wonders why they just dont keep the Stone for themselves and negotiate with the insurance company. Kelp says The Doctor knows who he and John are, and he would rather not have the wrath of an entire African nation upon them. John notes that their prep work will involve a lot of pre-surveillance at night, and the neighborhood around the museum has been hit by muggings.

At night, John cases the museum. There are a handful of guards milling around. Kelp works on some locksets at home.

Kelp visits The Doctor at his office and presents him with a shopping list of the teams suit sizes for uniforms. The Doctor realizes that they are making progress and proudly identifies himself as a criminal.

John and Greenberg are fishing by a quiet lake when John gives him a signal and Greenberg gets up and tosses a handmade grenade into the bushes. It explodes with a fireball. Greenberg tosses another that he learned how to make while studying at the Sorbonne and John says it has to be bigger. Greenberg reaches into his sack for another that he learned how to make while studying at Berkeley and John wants it bigger still, and noisier.

At night, after closing, Kelp is casing the museum when a hippie hits him with a baton. Kelp yells for help and a museum guard comes out. As the guard holds a gun on the hippie, Kelp points a gun at the guard. With the guard blindfolded, they go inside. The hippie is John in disguise.

Stan, down the block in a beater, checks his watch and then drives erratically toward the museum. He flips the car right at the main entrance and stumbles out as the car explodes. The guards come running out. Stan, lying on the ground with blood all over, repeats that he lost control of the steering.

Kelp and John, dressed in guards uniforms, enter the display room. Kelp lies down next to the case and takes out a pick set. John is the look-out. Kelp takes a long time using various picks and John asks how its going. Kelp almost falls apart, saying that John is only asking him because he has no confidence in Kelp. John reminds Kelp that if he is caught tonight, that he will go to prison for life; and that the reason he chose to do the job with Kelp is that Kelp has golden hands. Kelp gets back to work more confidently.

It does not look good for Stan as the guards gather around. Greenberg pushes through saying he is a doctor. He enlists the guards to help him put Stan in traction because his ribs are scratching against his heart.

Kelp is as surprised as John when the lock pops. He goes to work on the other lock. The guards all have their hands on Stan, holding him in position, and he cries out if they move the slightest. Greenberg runs off into the museum and changes into a guards uniform. Kelp has popped the remaining lock and the three of them try to lift the display case. They struggle but get it high enough for Kelp to sneak under and in to get the Stone. Greenberg loses his grip and they drop the case, trapping Kelp inside.

The ambulance has arrived and takes Stan away. The guards head back inside. Kelp crawls out just as the guards enter. A chase ensues. Kelp and John escape. Greenberg is trapped and swallows the Stone.

The next day, at Kelps apartment, Kelp runs in proudly pointing at the front page of the newspaper. Stan is there, having escaped by assaulting a doctor in the ambulance. John asks Kelp if the article mentions the status of the Stone. Kelp assumes that Greenberg dropped it somewhere in the museum. Kelp asks what he should tell The Doctor. John says he doesnt care and leaves.

John is at the doctor worried about ulcers, but the doctor tells him it is gastritis. He recommends John stay away from tense or argumentative situations. He thinks John internalizes his stress.

Kelp has found John, with another job in mind, this time to break Greenberg out of state prison because Greenberg has the Stone. Kelp and John go to a quiet park and meet with The Doctor and Greenbergs lawyer (Zero Mostel). The lawyer tells them Greenberg will be happy to give them the Stone if they get him out of prison. Otherwise, Greenberg will exchange the Stone for a lighter sentence. It turns out the lawyer is Greenbergs father and he is not happy the others have corrupted his son. The lawyer gives John some notes and the layout of the prison.

The lawyer visits Greenberg in prison and their conversation is a thinly veiled discussion about the plans for his escape.

Kelp meets with The Doctor outside the UN and asks for a huge truck. Later, at night, a big rig pulls up outside the prison and Stan lets off Kelp and John. Kelp snips at a cyclone fence with bolt cutters and they enter the grounds, avoiding the searchlights. They cut through another fence and make it to the wall where they throw up a grappling hook and climb over. John pops an antacid and Kelp asks for one, thinking its hard candy. When Kelp realizes what it is, hes disappointed that for all these years, hes envied Johns nerves of steel.

Kelp picks a door lock to get them into the cell block. Greenberg gets out of bed and picks a fight with his cellmate; they fight. Kelp and John sneak through the kitchen. Stan opens the back door/ramp of the big rig. Two guards walk Greenberg into the prison hospital and Kelp and John sneak up behind them and drag off the guards. They run out of the building and back to the wall. Greenberg says he cannot climb the rope. Stan drives a convertible Mercedes out of the big rig. Greenberg struggles but makes it over. The spotlight catches John just as he is going over. The claxon sounds and the guards start shooting, but the trio makes it through both cyclone fences and into Stans car. He speeds off, erratically, and guns it full speed onto the ramp and into the back of the big rig. The door closes behind them. Greenberg urges them to drive off but Kelp says the plan is to wait until 6 AM and drive off with the other trucks, then theyll exchange the Stone in the city. Greenberg confesses that he passed the Stone while he was in detention and hid it in the police station. The Doctor wonders why Greenberg didnt just keep swallowing it.

John is outside the police station, casing the building. Kelp gives The Doctor another shopping order. Later, the team goes to a riverside location and get into a helicopter. Stan assures them he knows how to fly one. He flies them to the police station and they jump out — its the wrong building. They make it to the correct building, set up equipment to jam the radio, and cut the phone lines. They throw smoke and tear gas bombs onto the street and the policemen rush out of the building. The Stone is not where Greenberg left it.

Back in the helicopter, Stan declares hes had it with the Stone. John thinks hes been personally jinxed by the Stone and swears to get it at all costs. He asks Greenberg if he told anyone about the Stone and Greenberg admits to telling his lawyer dad.

John drags the lawyer through a warehouse and ride up a fright elevator to a floor where Greenberg is lying on the ground at Kelps feet beaten and bloodied. They press him and Greenberg recalls that his father told him he could sell the Stone and use the money to free Greenberg. The lawyer denies this and Kelp drags Greenberg to the elevator shaft. The lawyer glares at John, saying he doesnt have it in him, so John drags the lawyer to the shaft as well. John backs off. The lawyer gloats that he was right about John. John says that some people arent willing to do such things, but some people are, and calls over a thug wearing a stocking over his head. Chicken grabs Greenberg and holds him over his head by the shaft. The lawyer swears he does not have the Stone and asks John to stop this. Finally, John tells the thug to put Greenberg down, but the thug drops him too close to the edge and Greenberg falls into the shaft. Kelp faints. John, stunned, gets punched by the thug who then heads for the lawyer. As the thug drags the lawyer toward the shaft, the lawyer tells them the Stone is in his safe deposit box and tosses them the keys. John picks up the keys. Kelp stands up. The thug turns out to be Stan. Greenberg, unhurt and hanging from a rope, threatens to tell on the lawyer to his mother.

Kelp and John go to the bank. They see another customer sign a card and then the teller comparing the signature to what they have on file. Now at The Doctors office, the lawyer giddily tells them that even if they use his key and forge his signature, they still wont get away with it because hes been tipping the bank staff very well over the years and everyone knows him by sight. The Doctor is not pleased. Kelp promises it will only take a few more days.

At the back room of the bar, John presents a few plans — none will end successfully. Stan is late; there are too many construction projects in the area for a smooth getaway. Suddenly, John says, “Miasmo.”

A woman follows a well-dressed man, a banker, into an elevator and he presses a floor for her. She points out the regular pattern of lights that the floor indicator is showing, and how relaxing it is. This puts the man in a hypnotic trance. Meanwhile, John is at the bank to sign up for a safe deposit box. The woman tells the banker that when a man goes to his bank and says, “Afghanistan, banana stand,” that the banker must do everything the man says. The banker, in a trance, agrees. Kelp gets a call that the banker has been successfully entranced and John says he has to go to the bank first thing in the morning before the trance wears off.

John waits anxiously outside the bank, popping an antacid.

Kelp, Stan and Greenberg meet The Doctor at a park bench. The Doctor tells them he has been convinced to fire them by the lawyer, who is sitting at the other end of the bench. The Doctor tells them he has already incurred a lot of expenses despite their failure and they will have to be satisfied with what hes already paid them. The Doctor and the lawyer get in their town car and head for the bank.

John goes to the bank. The valet in the safe deposit vault is the hypnotized man. John checks his own box and then says, “Afghanistan, banana stand.” John gives the man the lawyers safe deposit key, the man retrieves the box for him, and John gets the Stone. John makes it out of the bank but hears sirens — its a fire truck. As he walks away, the town car with The Doctor and lawyer, pulls up they dont see each other. John walks a few blocks and sees the team in Kelps locksmith car. They drive away cheering.

IMDB: https://www.imdb.com/title/tt0068718

 

June 24, 2020by Mary Malloy

1975: Murph the Surf (aka Live a Little, Steal a Lot)

This is a surprisingly good little heist film with the recently departed Robert Conrad in the title role. It is based on an actual robbery at the American Museum of Natural History in New York. (No wonder they haven’t let a film crew in their galleries in decades—not even Night at the Museum, which the filmmakers worked hard to replicate in a studio in Vancouver.)

Stars: Robert Conrad, Don Stroud, Donna Mills

Plot Summary by IMDB

Based on a true story, details the daring 1964 theft of the J.P. Morgan jewel collection from New York’s American Museum of Natural History. Called “The Greatest Jewel Heist of the 20th Century”, the robbers took twenty-two precious gems, including the Star of India, the 100.32-carat de Long Ruby and the 16.25-carat Eagle Diamond, stones so famous they would be impossible to sell.

IMDB: https://www.imdb.com/title/tt0073302/

June 24, 2020by Mary Malloy

1986: Ferris Bueller’s Day Off

No film captures an individual’s moving encounter with a work of art better than this charmer, directed by John Hughes and starring Matthew Broderick. Taking two friends with him around Chicago while playing hooky from school, Ferris goes the Chicago Institute of Art. His friend Cameron, played by Alan Ruck is immobilized in front of the pointillist painter Georges Seurat’s large painting “A Sunday on La Grande Jatte” from 1884. The camera goes back and forth between Cameron’s face and the child at the center of the painting until his big blue eyes shimmer with tears and the little girl dissolves into dots of paint. Lovely!

Stars: Matthew Broderick, Alan Ruck, Mia Sara

Synopsis by IMDB

High school senior Ferris Bueller (Matthew Broderick) decides to skip school on a spring day by faking an illness to his parents (Lyman Ward and Cindy Pickett), then encourages his girlfriend, Sloane (Mia Sara), and his pessimistic best friend Cameron (Alan Ruck) to spend the day in Chicago as one of their last flings before they graduate and head off to different colleges. He sets up an elaborate ruse in his bedroom with a mannequin, a trophy and his stereo in case anyone decides to check on him. Ferris persuades Cameron to let them use his father’s restored 1961 Ferrari 250 GT California to pick up Sloane (as part of their cover) to travel into the city. He also has Cameron impersonate Sloane’s stuffy-toned father to have Sloane excused for the day due to a faked death in the family. The rest of the school and many residents learn of Ferris’ exaggerated illness and offer donations to help “Save Ferris”. However, only two people are not convinced by Ferris’ deception: his sister, Jeanie (Jennifer Grey), outraged at Ferris’ ability to defy authority easily, and the school principal, Edward Rooney (Jeffrey Jones), believing Ferris to be truant.

Ferris and his friends arrive downtown and leave the Ferrari with two garage attendants (Richard Edson and Larry Jenkins), who drive off in it a short while later to take a joyride. Ferris, Sloane, and Cameron enjoy the sights, including taking in a game at Wrigley Field, visiting the Sears Tower, the Art Institute of Chicago, the Chicago Mercantile Exchange, and taking part in the Von Steuben Day Parade, with Ferris lip-syncing to “Danke Schoen” and the Beatles’ version of “Twist and Shout.” Ferris also uses his ploys to pretend he is Abe Froeman, the Sausage King of Chicago, to dine at an upscale restaurant on Rush Street (while narrowly avoiding his own father who is dining out with some business associates).

Meanwhile, Mr. Rooney has gone off-campus to try to find Ferris, first at a local hangout, then to Ferris’s home, where Mr. Rooney attempts to gain entry, but ends up getting stuck in the mud and losing his shoe and wallet while being chased by the dog. Jeanie comes home to look for Ferris, instead discover Mr. Rooney, whom she mistakes for a burglar, kicking him several times in the face and retreating. She calls the police, forcing Mr. Rooney to flee the scene. When the police show up, they haul Jeanie in for prank calling, and at the police station, she talks to a drug dealer (Charlie Sheen), who tells her that she needs to stop obsessing about her brother and focus about herself. Jeanie’s mother shows up to collect her, upset at having to do so, and finds Jeanie making out with the boy.

At the end of the day, Ferris and his friends retrieve the Ferrari, but discover on the way home that hundreds of miles have been added to the odometer, sending Cameron into a panic fearing his abusive father’s reaction. After calming Cameron down, Ferris comes up with a plan to run the car in reverse, in place, with its rear wheels jacked up, at Cameron’s father’s hillside garage, hoping to reverse the odometer. When they realize this is not working, Cameron unleashes his pent-up anger against his father, yelling about how his father loves the car more than his own son and damaging the front of the car, but comes to realize he is long due to stand up to his father, and vows to accept the consequences. Cameron calms down and rests himself against the car, but his previous actions have unbalanced it from the jack it was on, the car hits the ground, races in reverse, and crashes through a glass wall, landing in a ravine. Despite Ferris’s offer to take the blame, Cameron still plans to admit his actions to his father and take the consequences.

Ferris walks Sloane home, then quickly races through the backyards of his neighborhood. While running across a street, he’s nearly hit by a car: it is his sister and mother driving home. His mother doesn’t spot him but Jeanie does and she floors the gas pedal, trying to beat him home.

Ferris continues his race home. When he gets there, he finds Mr. Rooney waiting for him. However, Jeanie, apparently having come to appreciate her brother’s craftiness, has beaten him home despite her mother’s demands and getting a ticket for speeding. She pretends to scold Ferris for trying to walk home from the hospital while he is so ill, and thanks Mr. Rooney for driving him home, making sure to show Mr. Rooney the wallet he left behind when he broke in earlier. Rooney is once again chased by the dog. Ferris races to his room and makes it into bed just as his parents check on him. After they leave, he breaks the fourth wall and imparts some wisdom to his audience: “Life moves pretty fast. If you don’t stop and look around once in a while, you could miss it.”

As the credits roll, Mr. Rooney in his disheveled state is forced to catch a ride back to school on a school bus as it drives students home. In the tag at the very end of the credits, Ferris emerges from the bathroom, pleading to the audience directly, “You’re still here? It’s over! Go home! Go!” before he turns around and reenters the bathroom.

IMDB: https://www.imdb.com/title/tt0091042/

 

June 24, 2020by Mary Malloy

1994: Angie

Geena Davis plays the title character: a pregnant, partnerless woman with a world of woes, in this film set in New York. Twenty minutes into the film she aimlessly follows a group of school children into the Metropolitan Museum and meets the love of her life played by Stephen Rea. It isn’t exactly love at first site (not for her anyway), but they have an interesting discussion about the painting “In a Café (Absinthe)” by Edgar Degas. This painting (which is actually at the Musée d’Orsay in Paris, and not at the Met) depicts a boozy old couple and looks to Angie “like a lot of marriages I’ve seen.” They proceed to get kicked out of the museum because she is eating crackers for nausea.

Stars: Geena Davis, Stephen Rea, James Gandolfini

Summary by IMDB

Angie lives in Bensonhurst Brooklyn, and dreams of a better life. When she finds out she’s pregnant – by her boyfriend, Vinnie, she decides she’ll have the baby; but not Vinnie as a husband. This turns the entire close-knit neighborhood upside-down and starts Angie on a journey of self-discovery. On her way, she meets a new lover interest.

IMDB: https://www.imdb.com/title/tt0109129/

June 24, 2020by Mary Malloy
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About me

Mary Malloy is the author of both historical novels and non-fiction history. She has a Ph.D. from Brown University and infuses her books with well-researched details and richly textured writing. As a teacher and writer, she works to bring the past alive by exploring the lives of both ordinary and extraordinary people.

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“I taught a course on the History of Museums for ten years at the Harvard Extension School and during that time developed a “Film-clip Festival” to amuse students at the end of each term, and to explore pop-culture images of museums. Are museums in movies all that different from the institutions we love in the real world, I wondered? Indeed they are! About half of the museums depicted on film have a monster on the loose, and a significant number of others are being robbed!”

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