{"id":1484,"date":"2015-01-23T08:35:23","date_gmt":"2015-01-23T08:35:23","guid":{"rendered":"http:\/\/localhost:2222\/wordpress\/?p=1484"},"modified":"2021-12-01T18:59:49","modified_gmt":"2021-12-01T18:59:49","slug":"what-to-watch-until-museums-reopen","status":"publish","type":"post","link":"http:\/\/weberika.net\/e25-final\/what-to-watch-until-museums-reopen\/","title":{"rendered":"What to watch until museums reopen (and maybe even after)."},"content":{"rendered":"
I have been working for several years on compiling a list of movies that have scenes set in museums, and it occurs to me that some of you might be looking for film suggestions while museums are closed and you are isolating at home. My current list has 125 films on it, from which I have selected fourteen, plus a cartoon extra, a documentary, two music videos, and some TV shows. This list does not include some of the most familiar titles like\u00a0The DaVinci Code<\/em>\u00a0(2006) or the\u00a0Night at the Museum<\/em>\u00a0series (2006, 2009 and 2014), and you will be relieved to know that it also doesn\u2019t include a new sub-genre I have discovered: \u201cteen-gore-slasher movies set in museums.\u201d<\/div>\n
<\/div>\n
Jen Kramer, my friend and colleague from Harvard, is working with me to put the background info, plus some clips, stills, and the full list into a website. Suggestions are welcome. Thanks to all of you who have already alerted me to films. Wash your hands before digging into the popcorn!<\/div>\n
<\/div>\n
Movies in Chronological Order<\/strong><\/div>\n
<\/div>\n
1932:\u00a0\u00a0\u00a0The Mummy<\/em><\/div>\n
\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 The first of several dozen movies in which monsters are on the loose in museum galleries. It begins at an Egyptian archaeological site run by the British Museum and stars Boris Karloff in one of his most iconic roles.<\/div>\n
<\/div>\n
1938:\u00a0\u00a0\u00a0Bringing Up Baby<\/em><\/div>\n
\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 A hilarious turn by Cary Grant as a paleontologist working at the American Museum of Natural History in New York (which is disguised here as the \u201cStuyvesant Museum of Natural History,\u201d but uses the AMNH fa\u00e7ade).<\/div>\n
<\/div>\n
1949:\u00a0\u00a0\u00a0On the Town<\/i><\/div>\n
\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Great tunes and great dancing, but very dated ideas of museums. Ann Miller\u2019s big tap number is aces, but Yikes!<\/div>\n
<\/div>\n
1964:\u00a0\u00a0\u00a0Topkapi<\/em><\/div>\n
\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Melina Mercouri (later the Greek Minister of Culture and leading proponent of returning the Parthenon Marbles from the British Museum to Greece) leads a bumbling effort to rob the national museum in Istanbul.<\/div>\n
<\/div>\n
1964:\u00a0\u00a0\u00a0The Train<\/em><\/div>\n
\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 The opening before the credits is spine tingling! Paul Scofield plays a Nazi officer who loves art, and is taking a train filled with stolen French impressionist paintings from Paris to Germany before WWII ends. Interesting philosophical questions are raised about the role of art in defining a national identity, and the value of paintings vs. human lives<\/div>\n
<\/div>\n
1967:\u00a0\u00a0\u00a0To Sir with Love<\/em><\/div>\n
\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Sidney Poitier plays the best of all possible high school teachers, working in a tough London neighborhood (or I should say neighbourhood for my family currently quarantined in England). He takes his students on a visit to the Victoria & Albert Museum and the Natural History Museum, while Lulu sings the theme song.<\/div>\n
<\/div>\n
1975:\u00a0\u00a0\u00a0Murph the Surf<\/em>\u00a0(aka\u00a0Live a Little, Steal a Lot<\/em>)<\/div>\n
\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 This is a surprisingly good little heist film with the recently departed Robert Conrad in the title role. It is based on an actual robbery at the American Museum of Natural History in New York. (No wonder they haven\u2019t let a film crew in their galleries in decades\u2014not even\u00a0Night at the Museum, in which the filmmakers painstakingly replicated the AMNH galleries in a studio in Vancouver.)<\/div>\n
<\/div>\n
1980:\u00a0\u00a0\u00a0The Awakening<\/em><\/div>\n
\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 While not exactly a good film, this Charleton-Heston-as-archaeologist epic is notable for being the first film with footage actually filmed in the Cairo Museum. (Other films like Karloff\u2019s\u00a0The Mummy,\u00a0<\/i>and Brendan Fraser\u2019s 1999 film of the same name, have scenes that show almost identical exteriors of the museum, but the interiors were filmed on sets.)<\/div>\n
<\/div>\n
1993:\u00a0\u00a0\u00a0Demolition Man<\/em><\/div>\n
\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Wesley Snipes plays Simon Phoenix, a twentieth-century criminal so violent that he has to be put into a permanent cryogenic stasis. Sylvester Stallone plays a similarly violent cop, John Spartan, who gets the same treatment. When Phoenix is accidentally thawed in a benign and peaceful future, no one can deal with him except a defrosted Spartan. Phoenix wants weapons and the only place he can find them is in a wonderfully conceived futuristic museum.<\/div>\n
<\/div>\n
1997:\u00a0\u00a0\u00a0The\u00a0<\/i>Relic<\/em><\/div>\n
\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Two important museum themes come together here: 1) museums are places where snobs congregate at soir\u00e9es, and 2) monsters are on the loose! The book on which this is based is set at the American Museum of Natural History but they declined to participate, so the Field Museum in Chicago is the star. Even though the museum director knows there is a monster killing people in the basement, the important gala with the mayor must go on!<\/div>\n
<\/div>\n
1997:\u00a0\u00a0\u00a0Bean\u00a0<\/em>(aka\u00a0Bean: The Ultimate Disaster Movie<\/em>)<\/div>\n
\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 There are so many really clever bits in this, but the scene where the marketing folks pitch ideas about\u00a0Whistler\u2019s Mother<\/em>-related items for the gift shop is especially hilarious.<\/div>\n
<\/div>\n
2001:\u00a0\u00a0\u00a0Rat Race<\/em><\/div>\n
\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Spoiler Alert: \u201cThe Barbie Museum\u201d is not what the family expects.<\/div>\n
<\/div>\n
2018:\u00a0\u00a0\u00a0Black Panther<\/em><\/div>\n
\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Vibranium artifacts from Wakanda are violently repatriated from \u201cThe Museum of Great Britain.\u201d This obvious stand in for the British Museum is actually a computer-generated sign in front of the exterior of the High Museum in Atlanta. I was immediately suspicious when the curator entered the gallery with a cup of coffee!<\/div>\n
<\/div>\n
2018:\u00a0\u00a0\u00a0Museo<\/em><\/div>\n
\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 This Spanish-language film is currently only available on YouTube\u2019s premium channel, but it is worth trying a free introductory membership just to see it. Based on an actual event, the wonderful Gael Garc\u00eda Bernal (from\u00a0Mozart in the Jungle<\/em>) stars as a bored young man who robs the National Museum of Anthropology in Mexico City. The aftermath of guilt and confusion when the artifacts can\u2019t be fenced is beautifully developed, and the moment he realizes the treasures might actually go to Britain because of his actions is especially poignant.<\/div>\n
<\/a><\/div>\n
<\/div>\n
<\/div>\n
Cartoon:<\/strong>\u00a0 In movie theaters in \u201cthe old days,\u201d a cartoon short often preceded the feature. For your amusement I recommend\u00a0Betty Boop\u2019s Museum<\/strong><\/em>\u00a0from 1932, readily available in a Google search. Our heroine visits a museum in a classical building with a surprise inside.<\/div>\n
<\/div>\n
Documentary:\u00a0<\/strong>I highly recommend\u00a0<\/strong>The Rape of Europa<\/strong><\/em>\u00a0(2006), a terrific documentary on the Nazi looting of works of art during WWII. You will find here the basis of the later fictionalized movies\u00a0The Monuments Men<\/em>\u00a0(2014) and\u00a0Woman in Gold<\/em>\u00a0(2015).<\/div>\n
P.S.<\/strong>\u00a0Don\u2019t bother with\u00a0The Monuments Men<\/em>,\u00a0<\/i>it is a rotten movie and the documentary features interviews with the actual guys, who went on to become prominent art historians and museum directors after the war.<\/div>\n
<\/div>\n
Music Videos:<\/strong><\/div>\n
1966:\u00a0\u00a0\u00a0Color Me Barbara<\/em><\/div>\n
\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 This may be the first music video ever made. Barbara Streisand struts through the Philadelphia Museum of Art singing.<\/div>\n
<\/div>\n
2019:\u00a0\u00a0\u00a0Apeshit<\/em><\/div>\n
\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Beyonce and JayZ had incredible access to the Louvre in making this video, which is filmed in several galleries.<\/div>\n
<\/div>\n
Television:<\/strong><\/div>\n
The British series \u201cInspector Lewis\u201d made great of use of actual museums in Oxford, where the stories are set. In various episodes our heroes DCI Robbie Lewis and DS James Hathaway go to the Natural History Museum to get expert advice, look at crime-related clues in the Ashmolean, and solve murders that take place in the museum-adjacent Bodleian Library and Botanic Garden. Museums are also used as the settings for various social events. Here is a brief rundown:<\/div>\n
\nSeason 1, Episode 1:<\/em>\u00a0\u201cWhom the Gods Would Destroy\u201d has a visit to the Ashmolean.<\/div>\n
\nSeason 1, Episode 3:\u00a0<\/em>\u201cExpiation.\u201d Crazy Hugh Mallory has murdered his wife and now intends to kill his two daughters and himself by hurling them from a high window at the Natural History Museum.<\/div>\n
\nSeason 2, Episode 1:<\/em>\u00a0\u201cAnd the Moonbeams Kiss the Sea\u201d has another excellent Ashmolean scene, where our detectives find an art student looking at the way John Constable painted clouds.<\/div>\n
\nSeason 2, Episode 7:<\/em>\u00a0In \u201cThe Point of Vanishing\u201d a postcard of a fifteenth- century painting at the Ashmolean (\u201cThe Hunt in the Forest\u201d by Paolo Uccello) provides a clue that must be followed up at the museum. A helpful docent explains vanishing points to our heroes.<\/div>\n
\nSeason 4, Episode 7:\u00a0<\/em>\u201cThe Gift of Promise\u201d sets an awards presentation for an educational organization in the Natural History Museum. And\u00a0Season 5, Episode 2:<\/em>\u00a0\u201cWild Justice\u201d features a wedding reception at the Ashmolean (where, unfortunately the groom is murdered).<\/div>\n
\nSeason 5, Episode 3:<\/em>\u00a0\u201cFearful Symmetry\u201d includes one of my favorite exchanges between the two detectives. One of the suspects is a photographer whose work is being mounted at the Ashmolean in an exhibit called: \u201cFallen?: A Meditation on Post-Lapsarian Female Gender Identity.\u201d Sergeant Hathaway has to explain this to Inspector Lewis: \u201cProfessional iconoclast, social photo anthropologist-cum-cultural pundit,\u201d he says.<\/div>\n
Lewis: \u201cOxford-type then?\u201d<\/div>\n
Hathaway: \u201cOh yeah.\u201d<\/div>\n
\nSeason 7, Episode 1:<\/em>\u00a0\u201cDown Among the Fearful\u201d features a return to the Natural History Museum to consult an expert about lethal drugs and euthanasia.<\/div>\n
\nExtra!<\/strong><\/div>\n
Endeavour,<\/em>\u00a0the prequel to\u00a0Inspector Morse<\/em>\u00a0(of which\u00a0Inspector Lewis<\/em>\u00a0is a sequel), filmed a scene in the Pitt-Rivers Museum in Oxford. Morse and his superior, Detective Inspector Thursday, interview Dr. Moharram Shoukry, who tells them he is \u201con loan from the Cairo Museum, together with some of the visiting exhibits.\u201d<\/div>\n
Thursday: \u201cSo you mind all the bits and pieces?\u201d<\/div>\n
Shoukry: \u201cIf by that you mean do I make sure no harm befalls the priceless artifacts of my people\u2019s ancient history, then yes, I mind the bits and pieces.\u201d<\/div>\n
Thursday: \u201cNo slight was intended Doctor.\u201d<\/div>\n
Shoukry: \u201cWith the British, it never is.\u201d<\/div>\n
(Season 5, episode 2:<\/em>\u00a0\u201cCartouche\u201d)<\/div>\n
<\/div>\n
Finally,<\/strong>\u00a0while Ross is an archaeologist who works at the American Museum of Natural History in\u00a0Friends,<\/em>\u00a0the series never really took advantage of developing his interesting job and he sometimes makes seriously cringe-worthy comments about the field. The only episode that actually takes place in the museum is awful! I don\u2019t recommend it, but it does have a clever response shot from a group of school children and a nun. If you are now too curious to resist, it is from 1996,\u00a0Season 2, Episode 15:<\/em>\u00a0\u201cThe One Where Ross and Rachel\u2026 You Know.\u201d<\/div>\n","protected":false},"excerpt":{"rendered":"

I have been working for several years on compiling a list of movies that have scenes set in museums, and it occurs to me that some of you might be looking for film suggestions while museums are closed and you are isolating at home. My current list has 125 films on it, from which I have selected fourteen, plus a cartoon extra, a documentary, two music videos, and some TV shows. This list does not include some of the most familiar titles like\u00a0The DaVinci Code\u00a0(2006) or the\u00a0Night at the Museum\u00a0series (2006, 2009 and 2014), and you will be relieved to know that it also doesn\u2019t include a new sub-genre I have discovered: \u201cteen-gore-slasher movies set in museums.\u201d Jen Kramer, my friend and colleague from Harvard, is working with me to put the background info, plus some clips, stills, and the full list into a website. Suggestions are welcome. Thanks to all of you who have already alerted me to films. Wash your hands before digging into the popcorn! Movies in Chronological Order 1932:\u00a0\u00a0\u00a0The Mummy \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 The first of several dozen movies in which monsters are on the loose in museum galleries. It begins at an Egyptian archaeological site run by the British Museum and stars Boris Karloff in one of his most iconic roles. 1938:\u00a0\u00a0\u00a0Bringing Up Baby \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 A hilarious turn by Cary Grant as a paleontologist working at the American Museum of Natural History in New York (which is disguised here as the \u201cStuyvesant Museum of Natural History,\u201d but uses the AMNH fa\u00e7ade). 1949:\u00a0\u00a0\u00a0On the Town \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Great tunes and great dancing, but very dated ideas of museums. Ann Miller\u2019s big tap number is aces, but Yikes! 1964:\u00a0\u00a0\u00a0Topkapi \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Melina Mercouri (later the Greek Minister of Culture and leading proponent of returning the Parthenon Marbles from the British Museum to Greece) leads a bumbling effort to rob the national museum in Istanbul. 1964:\u00a0\u00a0\u00a0The Train \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 The opening before the credits is spine tingling! Paul Scofield plays a Nazi officer who loves art, and is taking a train filled with stolen French impressionist paintings from Paris to Germany before WWII ends. Interesting philosophical questions are raised about the role of art in defining a national identity, and the value of paintings vs. human lives 1967:\u00a0\u00a0\u00a0To Sir with Love \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Sidney Poitier plays the best of all possible high school teachers, working in a tough London neighborhood (or I should say neighbourhood for my family currently quarantined in England). He takes his students on a visit to the Victoria & Albert Museum and the Natural History Museum, while Lulu sings the theme song. 1975:\u00a0\u00a0\u00a0Murph the Surf\u00a0(aka\u00a0Live a Little, Steal a Lot) \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 This is a surprisingly good little heist film with the recently departed Robert Conrad in the title role. It is based on an actual robbery at the American Museum of Natural History in New York. (No wonder they haven\u2019t let a film crew in their galleries in decades\u2014not even\u00a0Night at the Museum, in which the filmmakers painstakingly replicated the AMNH galleries in a studio in Vancouver.) 1980:\u00a0\u00a0\u00a0The Awakening \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 While not exactly a good film, this Charleton-Heston-as-archaeologist epic is notable for being the first film with footage actually filmed in the Cairo Museum. (Other films like Karloff\u2019s\u00a0The Mummy,\u00a0and Brendan Fraser\u2019s 1999 film of the same name, have scenes that show almost identical exteriors of the museum, but the interiors were filmed on sets.) 1993:\u00a0\u00a0\u00a0Demolition Man \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Wesley Snipes plays Simon Phoenix, a twentieth-century criminal so violent that he has to be put into a permanent cryogenic stasis. Sylvester Stallone plays a similarly violent cop, John Spartan, who gets the same treatment. When Phoenix is accidentally thawed in a benign and peaceful future, no one can deal with him except a defrosted Spartan. Phoenix wants weapons and the only place he can find them is in a wonderfully conceived futuristic museum. 1997:\u00a0\u00a0\u00a0The\u00a0Relic \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Two important museum themes come together here: 1) museums are places where snobs congregate at soir\u00e9es, and 2) monsters are on the loose! The book on which this is based is set at the American Museum of Natural History but they declined to participate, so the Field Museum in Chicago is the star. Even though the museum director knows there is a monster killing people in the basement, the important gala with the mayor must go on! 1997:\u00a0\u00a0\u00a0Bean\u00a0(aka\u00a0Bean: The Ultimate Disaster Movie) \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 There are so many really clever bits in this, but the scene where the marketing folks pitch ideas about\u00a0Whistler\u2019s Mother-related items for the gift shop is especially hilarious. 2001:\u00a0\u00a0\u00a0Rat Race \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Spoiler Alert: \u201cThe Barbie Museum\u201d is not what the family expects. 2018:\u00a0\u00a0\u00a0Black Panther \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Vibranium artifacts from Wakanda are violently repatriated from \u201cThe Museum of Great Britain.\u201d This obvious stand in for the British Museum is actually a computer-generated sign in front of the exterior of the High Museum in Atlanta. I was immediately suspicious when the curator entered the gallery with a cup of coffee! 2018:\u00a0\u00a0\u00a0Museo \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 This Spanish-language film is currently only available on YouTube\u2019s premium channel, but it is worth trying a free introductory membership just to see it. Based on an actual event, the wonderful Gael Garc\u00eda Bernal (from\u00a0Mozart in the Jungle) stars as a bored young man who robs the National Museum of Anthropology in Mexico City. The aftermath of guilt and confusion when the artifacts can\u2019t be fenced is beautifully developed, and the moment he realizes the treasures might actually go to Britain because of his actions is especially poignant. Cartoon:\u00a0 In movie theaters in \u201cthe old days,\u201d a cartoon short often preceded the feature. For your amusement I recommend\u00a0Betty Boop\u2019s Museum\u00a0from 1932, readily available in a Google search. Our heroine visits a museum in a classical building with a surprise inside. Documentary:\u00a0I highly recommend\u00a0The Rape of Europa\u00a0(2006), a terrific documentary on the Nazi looting of works of art during WWII. You will find here the basis of the later fictionalized movies\u00a0The Monuments Men\u00a0(2014) and\u00a0Woman in Gold\u00a0(2015). P.S.\u00a0Don\u2019t bother with\u00a0The Monuments Men,\u00a0it is a rotten movie […]<\/p>\n","protected":false},"author":1,"featured_media":6628,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[2,1,83],"tags":[],"_links":{"self":[{"href":"http:\/\/weberika.net\/e25-final\/wp-json\/wp\/v2\/posts\/1484"}],"collection":[{"href":"http:\/\/weberika.net\/e25-final\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/weberika.net\/e25-final\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/weberika.net\/e25-final\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/weberika.net\/e25-final\/wp-json\/wp\/v2\/comments?post=1484"}],"version-history":[{"count":2,"href":"http:\/\/weberika.net\/e25-final\/wp-json\/wp\/v2\/posts\/1484\/revisions"}],"predecessor-version":[{"id":6648,"href":"http:\/\/weberika.net\/e25-final\/wp-json\/wp\/v2\/posts\/1484\/revisions\/6648"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/weberika.net\/e25-final\/wp-json\/wp\/v2\/media\/6628"}],"wp:attachment":[{"href":"http:\/\/weberika.net\/e25-final\/wp-json\/wp\/v2\/media?parent=1484"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/weberika.net\/e25-final\/wp-json\/wp\/v2\/categories?post=1484"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/weberika.net\/e25-final\/wp-json\/wp\/v2\/tags?post=1484"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}